For me, now, working and children is it. There's nothing more to life.

I have been in control of what I've been doing, of the career I've put together.

I'm always attracted to bold, risk-taking scripts.

I can read people, and if the other person doesn’t want to say anything, I’m fine with that. People say things when it’s time to say them.

Listen, I have to spend every single day living with me, so I know for a fact; I’m lovely, I’m completely lovely.

I find still photographs make me quite self-conscious.

I've always thought darker characters were more fun to play. They're probably not any more complex or interesting than their good, law-abiding cousins, and I'd always tend to see things from their point of view.

The first time I played a killer, in the 1997 film 'Mojo,' I went to my local video shop and got out a video of real executions and a history of the Third Reich. The guy in the shop was giving me a look. I thought this would help, but I don't think it made any difference, and I don't want to see any more executions.

I don't like DVD extras. No. Especially when they do things like put out alternative endings? I find all of that a little bizarre, because there should only be one ending. I don't like to be told, 'Oh, we could have had it this way,' for the director's cut.

I don't really differentiate between different genres: if there's a good part going, I'll go after it, and it's preferable to me if it's something I haven't done before.